Writing for the Screen
Like Duolingo, but for Writing for the Screen. Tomo turns the whole topic into a game you play five minutes a day, until it actually sticks.
For the part of you with thirty open tabs that never became anything.
A short one: 11 levels across 2 sections, about 22 minutes end to end, roughly 4 days at five minutes a day. It moves through The Visual Scene and Voice and Momentum. It starts from scratch.
Free forever · No credit card · iPhone & Android
Key ideas in Writing for the Screen
- Screenplay action lines can only include sights and sounds that a camera lens or microphone can capture
- A character's internal memories, secrets, and realizations cannot be recorded unless externalized
- Strong, visual verbs make screenplays read at the speed of the movie
- Passive constructions ('is walking') and adverbs ('very quickly') clutter the page and slow reading tempo
- Breaking action into short, punchy lines creates white space that guides the reader's eye
- In screenwriting, an emotion must be translated into visible behavior for an audience to see it
- Actors and directors need clear physical clues rather than abstract labels like 'sad' or 'furious'
- Scene headings begin with INT. or EXT. to tell the crew if the camera is inside or outside
- The specific setting or location comes immediately after the interior/exterior marker
- The time of day (such as DAY or NIGHT) appears at the very end after a dash
- A compelling screenplay scene gives a character a clear, concrete thing to accomplish right now
- Passive activities like brooding, waiting, or casual chatting lack immediate drive and make scenes feel slow
- Urgency forces the character to take action rather than just react to their surroundings
- Dramatic tension in a scene requires an active barrier standing between the character and their goal
- Obstacles can come from an opposing character, a physical setting constraint, or inner emotional resistance
- Without an obstacle pushing back, a character gets what they want immediately and scene tension collapses
You've tried the other tabs
Thirty open tabs. Four facts you actually kept.
You watched. You nodded. By Sunday it was gone.
One answer, then back to scrolling.
Eight weeks. You meant to finish. You didn't.
Tomo gives Writing for the Screen the Duolingo treatment: levels, streaks, and quick quizzes that test what you just learned. That game loop is what the tabs above never had, so it's the one you actually finish.
Here's what playing it feels like
A real question from this course. Take your best guess.
Picture a scene where a detective realizes his partner is lying. How must this moment be written in a screenplay?
Get it right to open this lesson and 10 more in the app.
Where Writing for the Screen takes you
Learn to translate dramatic ideas into compelling cinematic pages. Master visual action writing, sharp scene conflict, and subtext-driven dialogue that pulls audiences into the story.
- 1
The Visual Scene
- Writing What the Camera Can See
- Building Scenes on Conflict and Want
- 2
Voice and Momentum
- Writing Dialogue with Subtext
- Chaining Beats with Cause and Effect
2 sections · 4 units · 11 levels. Built to play, not to enroll.
You pick the voice
Writing for the Screen is taught in the The Storyteller style: every lesson is a story. Want a different feel? In the app you can spin up the same topic in any of Tomo's teaching styles. Same facts, totally different vibe.
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Start Writing for the Screen today.
Download Tomo, search Writing for the Screen, and play your first lesson in under a minute.